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Interested in working together, have questions about my courses, or just want to say hello? Drop me a line!
MidnightMovementLab@gmail.com
How can we expect to be authentic on stage if we are not first authentic to ourselves? Here's something I've been wanting to share.
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I was told early in my pole journey that connecting with the audience was about eye contact. And that was it. Here's the truth about eye contact.
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Performers have different strengths on stage – some tell amazing stories, others create immersive theatrics. But the most elusive performers are those who connect with us on a deep, genuine level.
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What do you do for you? What do you do for others?
Until recently, I didn’t know (like REALLY know) the difference between dancing for others and dancing for yourself.
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It’s not about “what” you do, it’s about “how” you do it. This is the philosophy that has guided my teaching and my practice for the last few years.
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Have you ever suddenly just “lost” a skill that you had a week ago? To me, this is usually a sign of someone who is working when they are training rather than learning.
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Not too long ago, I thought that developing my own style meant just mashing up all the moves that I loved together.
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Not too long ago, I thought that developing my own style meant just mashing up all the moves that I loved together.
READ NOWInterested in working together, have questions about my courses, or just want to say hello? Drop me a line!
MidnightMovementLab@gmail.com